tag:blogger.com,1999:blog-5682081471599286551.post9218173062574483986..comments2024-03-27T11:43:33.889-04:00Comments on Stapleton Kearns: An entry about values, conventions and their usesStapleton Kearnshttp://www.blogger.com/profile/00226409516935208164noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-5682081471599286551.post-78919380027109410332009-02-25T14:39:00.000-05:002009-02-25T14:39:00.000-05:00I never do a black and white sketch outdoors befor...I never do a black and white sketch outdoors before attacking . I should do a thumbnail or six, but I don't.When I start a major piece in the studio, I am usually reprocessing something I did outside that didn't work, or could be enlarged or redesigned. That's when I do the black and white charcoal studies. I am working more that way than I used to. How I do things is always evolving Again you have inspired an entire post. I will go at this subject again soon. I have a few already in the hopper but I think I can pull an entire post by answering you. ....StapeStapleton Kearnshttps://www.blogger.com/profile/00226409516935208164noreply@blogger.comtag:blogger.com,1999:blog-5682081471599286551.post-24811171240945883192009-02-25T14:07:00.000-05:002009-02-25T14:07:00.000-05:00Stap, I got it, I got the concept of the bed bug ...Stap,<BR/> I got it, I got the concept of the bed bug , now I must apply it to my work knowing that I have alot of practice and hard work ahead of me. I relize the importance of a black and white drawing or painting sketch before I start my paintings. Do you do a black and white value sketch every time before you start a large painting of your own.JAMES A. COOKhttps://www.blogger.com/profile/16882993314906545542noreply@blogger.com