Fall Color Workshop September 8th through 10th
This is the Sunset Hill Inn in Franconia, New Hampshire. I have been teaching workshops there for about three years and it is the ideal location. Because I have taught so many workshops there the inn keepers have learned what painters at a workshop need and they are now practiced at hosting my workshops and making sure we have what we need to operate without any distractions or responsibilities other than painting.There is a broad rear porch that overlooks the mountains so we can still paint outside no matter what the weather does. The lower level of the inn is ours to store our paints and canvas so we don't have to haul it all to our rooms and it makes a good place to teach too. The view of the mountains is spectacular and in the fall it will be even better. The inn takes good care of us. We have our own private dining room too. They handle our meals and even bring us lunch so we can work all day uninterrupted. The inn is one of those big old historic affairs from the 19th century and is homey and informal. Most of the rooms have gas fireplaces, and it is cool in the evenings up in the mountains in the fall, so that is nice after a day outside. It is nessasary to stay in the inn to take the workshop.
This will be the first fall workshop I have done there and I am thrilled. I love teaching workshops anyway. Everyone is always excited to be there and hang out with the other artists. It is like a three day party. We go from breakfast until bedtime. This is a total immersion program and I run the class about 12 hours a day. I do an evening lecture while we wait for dinner to be served.The fall color in the White Mountains is legendary and people come from all over the world to see it. In the 19th century all of the great Hudson River painters made a point of being there too, just a few miles up the road from the inn. We don't need to leave the grounds of the inn to find great subject matter so their is no problem with hauling easels around or caravanning cars to daily locations. We just walk out the back door and the whole Presidential range is spread out before us.
The schedule includes;
- a demo every morning, on the first day I explain the palette and the various pigments.
- In the afternoon the students paint and I run from easel to easel doing individual instruction and try to diagnose each students particular barriers to better painting.
- after the demo each day I run a series of exercises teaching root skills like creating vibrating color and the parts of the light (that is what you need to know to establish light in a painting) I am going to add a new exercise this time on color mixing.
- I do a presentation before dinner with images from my laptop. One is a history of White Mountain art so you can see what the greats of American painting did with the same landscape we will be painting during the day. The other is unpacking out the design ideas in the works of great landscape painters, particularly Edward Seago and Aldro Hibbard, two favorite artists of mine.
If you have never seen autumn in New England this is your chance to paint the most spectacular fall color in America. The cost of the workshop is 300 dollars, I charge a 150 deposit up front when you register. In return for that I will hold your place in the class. I wont give away your place to anyone else, so I don't return deposits. If you don't intend to come, don't sign up!
It is necessary that you stay in the inn for the workshop. The workshop is a collaboration between me and the inn. They provide a special reduced rate for the workshop participants. In the past several people have asked if they could stay with their brother in law or mistress who live nearby. If you want to do that, it's OK but you will have to pay a flat fee of 150 dollars to the inn for the use of their facilities. That fee will include your breakfasts, lunches and one dinner.Here is their web address:
Sunset Hill House
231 Sunset Hill Road
Sugar Hill, NH 03586