Monday, November 9, 2009

About winter painting

I am going to do a series of posts on winter landscape painting. Before I get to the equipment and the other adaptations needed to paint outside in the winter, I want to talk why you would want to do it in the first place.

Here's a painting by Aldro t. Hibbard* as an example of why. There are great pictures to be made outside in the winter. The potential for designs is enormous. Those big areas of "white" are just great for making arrangements. Pretty much everything in the landscape is darker and sits silhouetted against that white field. Also the snow is woven throughout the whole scene generally so it often unifies a picture. Like white velvet painting!

There is another thing that happens in the winter too, all of that green goes away. That makes the deep woods into a fine place to paint when in the summer it is way to closed in. Big views appear that are only there when you can see through the trees . Village scenes are unified because of the snow on rooftops is common to all the houses and driveways and other ugly ephemera disappear or can easily be made to. In the winter you can stand in the middle of a stream and look up its length like a country road. Below is my old friend Stefan Pastuvov painting along a frozen stream in Maine.

I would rather paint outside in January than July. In July everything is green except for the sky which is blue (with a little yellow in it) in January there are dozens of colors, and they are sophisticated 500 dollar suit colors too. There are heathers and ochers, browns and russets. The pines are green but its not the acidic green of summer and the snow is prismatic. Its not white, it is opalescent. It is very interesting to paint. When you want it lower in value than your pure white pigment, you will have to add color to it to get it there. What color? generally all three. Or you will paint it purple and shoot yellow into it. Or paint it green and lay purple over that, or pink and then, well you see what I mean. The color of snow in the light and in the shadow is vibratory. It is my favorite thing to paint.

Here I am painting in the snow up near Bethel, Maine. There is another good reason to paint outside in the winter though. If you want to be a plein air painter and are only painting outside in the warm months you are only working PART TIME.

You are also missing out on a lot of learning. The structure of the trees is evident in the winter and that's when you learn that. You wouldn't imagine you could learn to be a figure draftsman only drawing the clothed figure. Well, the trees model nude in the winter! A lot of landscape painting is tree painting. They are the figures on the landscape painters stage. In order to learn to draw those figures you need to be out there in the winter studying their anatomy.

There are a lot of what I call inominate colors out in the winter landscape. An inominate color is one that you can't easily name. That is, its not red, or blue, or yellow but a combination of all of the colors. They are everywhere in the winter and learning to make them is fun and teaches a sophisticated range of grays and browns and heathers etc. That puts more arrows in your color quiver.I will be back and tell you more about winter painting tomorrow.

* Aldro from the book Aldro Hibbard artist in two Worlds available through the Rockport Art Association


Philip Koch said...

Three cheers for winter painting!!!

Looking forward to your comments and insights.
Great pictures of the artist out in the white stuff.

Also a wonderful Hibbard. Some years back I stayed in an inn in Burlington, VT that had an amazing Hibbard of a frozen stream in the snow hanging in the reception area. It was as good as painting can get.

Mary Byrom said...

Awesome, snow is so gorgeous to paint I agree - winter is lovely and its my favorite time to paint outdoors.

Gregory Becker said...

I'll have to get out and try that.

Robert J. Simone said...

Alas, if only all of the green did go away in the winter...For me the only change in equipment for winter painting is the addition of a long sleeve tee shirt to go with my shorts. I am very jealous!!!!

billspaintingmn said...

Every winter I look forward to my
"pet" glacier. Shows up in December
and stays until May!
Nude trees & color quiver, I like
I hope to do some winter painting,
(Have the "fish house" ready to go)
Thanks for keeping us posted

Stapleton Kearns said...

I hope I can be insightful.

Stapleton Kearns said...

We will have some soon too!

Stapleton Kearns said...

Stay tuned for a report on doing it and the equipment.

Stapleton Kearns said...

Most people would consider themselves lucky to winter in Florida This is probably your sales season though, right?I love snow, so I am happy here though. Do alligators molt?

Todd Bonita said...

You are a very good writer...a man of layers..good for you. You actually make the notion of painting in sub zero snow sound good. The pictures of the happy painter are part of the appeal as well.
Good stuff.

Stapleton Kearns said...

Thank you.I will try to find some more happy painters then.

Robert J. Simone said...

Do alligators molt?!!! LOL. Why yes, of course, that's what my grandmother's purse was made out of. Actually we see more gators this time of year because they sun themselves.