Wednesday, January 21, 2009

Tubing paint

Today's entry is a little more grad school level than the last, however it may come in handy to know how to do this and it can save you a good deal on paint, if that becomes important to you. It also is useful to know if you want to premix certain colors that you may be routinely cooking up on your palette. Blogger doesn't seem to allow me to embed photos in the text very easily or drag them around much. Perhaps I just haven't figured it out yet. I feel the page layout on this one is a little clunky, and I suppose I will have to return to the paragraph, centered photo, paragraph layout that seems so common in other blogs I have seen. I will blog next about what I have on my palette and my mediums and thinners. I will also do an entry on brushes soon. Glad to have you following along. Put on your smock this is going to be a messy ride! Here we go!


My shipment of paint arrived from my colormaker today and I think I will show you how I get it into the tubes. When you read this and look at the pictures it looks like a lot of trouble but with a little practice it goes very quickly and I enjoy tubing it up. I get about 6 or 7 big tubes out of a quart of paint. I try to keep enough paint on hand to last for months. I start to feel insecure when I don't have a big store of paint in my taboret. It is probably a hold over from the old days when I often didn't have enough money for both food and paint and hard choices had to be made. If it hadn't been for the kindness of my various girlfriends I would surely have starved to death. Girls loved me when I was young. They imagined I was sensitive.
Most of you are not going to tube your own paint. Unless you use LOTS of it . There's plenty of good paint available from the many suppliers online and for most of you, of course, that's the answer.
I buy the empty tubes from Jerrys Artarama or Pearl Paint.
I order my paint from RGH Artists Oils. They sell 65 ml. and 250 ml.,jars, pint, quart, half gallon and gallon quantities of a very wide selection of different colors. Check them out at; http://www.rghartistoilpaints.com/
I think they make excellent quality paints and I particularly like their cadmiums. They are extremely affordable as you can see on their web site. You can buy a HALF GALLON of titanium white for $72.00. I use a whole lot of paint so it makes sense for me to buy in quantity.These are not student grade paints. RGH is a small artist owned company in Buffalo, New York. Tell them I sent you, please.
I buy boxes of nitrile gloves from a nearby auto parts store because this is a messy business. I use nitrile gloves a lot. They don't seem to be as clammy as the plastic sort. They are cheap and disposable. I shovel the paint into the open end of the tube with a flat palette knife. I try to put the knife well into the tube and scrape the paint off on its lip. I inevitably get paint on the outside of the tube, but that's OK, I can clean it off later with mineral spirits.

I repeatedly rap the cap end of the tube sharply on my palette to get the paint to the front of the tube and eliminate any voids. Only fill the tube about four fifths of the way so as to leave room to close it up. I am using 175 ml. tubes in these pictures but you can buy small tubes as well. I use so much paint that I almost never buy small tubes. I do put up a few small tubes for use with my pochade box. I don't use pochade boxes very often though, as I like my big Gloucester easel and I am willing to put up with carrying the weight of a heavy paintbox because I often work on larger canvasses outside than most painters.
Next I close up the end of the tube squeezing out any extra paint that is there.
I then lay the tube on my palette and press the side of my palette knife down firmly on the tube about
3/8 of an inch from the end.

I lift the tube to vertical putting a nice clean fold in the end. It works like a box brake bending sheet metal, as shown below left. Then the next step is to crimp the folded over end with a canvas pliers. My canvas pliers are from the late 19th cent. or perhaps the early 20th century, a friend of mine found them in a junk shop more than 30 years ago and made a present of them to me.They are a far better design than the new ones They have a ordinary coiled spring unlike the new ones which have a sort of leaf spring, consequently they open when the pressure on their handles is released.
They are however not chromed, they have that old timey drop forged look. I really squeeze those pliers hard to crimp that end, and sometimes I will turn it over in one more fold and crimp it again. Below you can see the finished result.





After cleaning any excess paint off the outside of the tube with a paper towel dipped in mineral spirits I label the tube using a permanent marker. You may want to paint a stripe of the color mixed with varnish or liquin to make it dry more quickly, around the top of your tube. Then it will look like a tube of Old Holland paint or like its from one of those fancy boutique manufacturers all the thoracic surgeons' wives use. I like the way my paint box looks, open on location. When other artists look in there, all they see are my hand labeled tubes . Looks tough as hell.

The studio

Here I am. I took this photo myself in my studio mirror which is behind me as I work at the easel. I can easily turn and see my canvas in the mirror. That's important. As you work on a painting you become used to seeing it and its mistakes. The mirror gives you a "fresh eye". Often a problem in a painting will jump out at you when seen in reverse. If you don't have a mirror in your studio , I suggest that you get one. Even a ladies compact will work nicely and can be had at the 5 and 10. I actually don't know if there are still 5 and 10s or whether ladies still carry compacts, I will assume there are still ladies. This small mirror, I can hold against my forehead, so that looking up into it, I can see my painting on the easel both upside down and backwards.
Here's a shot of my studio, with its north light windows. I have a 14 foot high ceiling, but my studio is only 11 feet wide. It is 20 feet long. That's not very large but it does give me room to back up and see my work . My traditional artists studio faces north because the sun goes over the building to the south. I get consistent, cool light and if I set up an object to paint, it's shadow doesn't move throughout the day. Ideally I would have the easel on the opposite side of the room so the shadow from my hand ( I am right handed ) would not be thrown across the area on which I am working , but my studio is actually oriented slightly northwest and part of the year I get direct sunlight coming in through my windows on one side of the room. The sun shining in on the painting sitting on the easel would make it nearly impossible to work. The basic design is borrowed from the historic Fenway studios in Boston, where I was trained .

My studio is a tool for someone who paints every day. You probably don't have a custom built studio and may have to work in a room with windows that do not face north , that can often be dealt with by putting an inexpensive sheer curtain over the window next to your easel. You may even have to work in your basement under artificial light. I will address artificial lighting for studios in a following post. I have painted in every conceivable sort of space over the years, and almost any room can be made to work. A small corner of a room actually used for another purpose will suffice. The great French
painter Leon Gerome created his masterpiece "The Cockfight" in a tiny garret studio.
If you are a reader of this blog I would urge you to forward any questions that you have, through comments, as I am trying to guess what you will need to know and I would be delighted to hear about the things I have certainly forgotten to include.

Tuesday, January 20, 2009

Welcome to my new blog!



Thanks for stopping in. I am a professional landscape painter. I mean by that, I paint for a living. I want to paint good pictures and get paid well to do it. I work both outside and in the studio. I have lived and worked on the coast of Maine, in Boston and Rockport, Massachusetts and now in Derry, New Hampshire. I am originally from Minnesota , and no, I don't sound like those people in the movie Fargo.
Above you see a picture of me painting two weeks ago in the mountains of western Maine. I like painting outside in the winter better than any other time of the year.
I have been painting full time for over thirty years, and made my first outdoor painting in 1975. I still have it and perhaps I will show it to you in a later post. It is absolutely dreadful.
In this blog I will offer some of the techniques, ideas and methods I have learned over the years, and talk about how to make a living as an artist.I will present some essays on painting, art, and hopefully amuse you some at the same time. I will also tell you about some of the fine painters I have known over the years and some who died long ago. I will talk about my training in the studios of R.H.Ives Gammell and about the many artists who have mentored me along the way. I will try to explain what I THINK makes a good painting, and how to go about making one.
I guess it would be ideal to update this blog every day, in order to always have something new for you to see when you visit. I should go to the gym every day too. I will do my best to keep this blog fresh and we will see how it goes. I do enjoy writing and feel I have a lot to share with those of you who also have an interest in landscape painting and art in general.

Wednesday, January 7, 2009

Lodging in and around Jaffrey New Hampshire

Here are some links to lodging for my workshop this month.

B&B's in Jaffrey:
http://www.benjaminprescottinn.com/

http://www.theinnatjaffreycenter.com/

http://www.thecurriershouse.com/

http://www.woodbound.com/
(Woodbound also has some tiny cabins for rent, and some motel like rooms, besides the Inn itself)

http://www.thegrandviewinn.com/

In Fitzwilliam:

http://www.ashburnhouse.net/

In Dublin - probably 15 or so minutes away.
http://www.localbedbreakfast.com/New-Hampshire/Wooden-Josh-Bed-and-Breakfast-35237.html

In Peterborough - 7-8 miles up the road..(all the good restaurants and two art supply stores are here too)
http://www.jackdanielsmotorinn.com/

http://www.threemaples.com/ (actually in Sharon, about 15 min. away from here)

http://www.littleriverbedandbreakfast.com/

http://www.applegatenh.com/

In Hancock (beautiful village center here)
http://www.hancockinn.com/



And, for cheaper (probably) motel type lodging that is a little further, but still at most 35 min. away, there is Keene:
http://www.bestwesternnewhampshire.com/hotels/best-western-sovereign-hotel/

http://www.ichotelsgroup.com/h/d/ex/1/en/hotel/eennh